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<link>http://www.creative-eclipse.com/weblog.php</link>
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<language>eng</language>
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<title>Duck Dive/ Edibles &amp;quot;Split Tape&amp;quot;:</title>
<description>&lt;img src="http://i39.tinypic.com/120gwv6.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
Indonesia might seem an unlikely locale for the discovery of an analog synth recording artist who’s keeping abreast with our corner of cassette culture. But in the capital city of Jakarta, a man known as Gonzo is doing just that, and doing it pretty damn well. We were tipped off to Gonzo’s rad project Duck Dive by Dewey Mahood (of Portland’s Eternal Tapestry &amp;amp; Plankton Wat), who shares this split tape as newly-founded groove/dub vehicle Edibles. Here both jammers align themselves as global poles of mellow in order to slow the clock with clear-air visions of eternal summer &amp;amp; worldwide chill-out. Let the guitar, synthesizer, hand drums, jungle calls, and bird songs found on this c43 drive every bummer away. &lt;br /&gt;
&lt;br /&gt;
Limited edition of 111 pro-dubbed &amp;amp; imprinted c43 tapes with double-sided jcard and insert. Sold out, find it somewhere on the web.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.myspace.com/edibles1"&gt;http://www.myspace.com/edibles1&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.myspace.com/duckdivemusic"&gt;http://www.myspace.com/duckdivemusic&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4c81f6218f058</link>
<pubDate>Sat, 04 Sep 2010 09:29:00 GMT</pubDate>
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<title>DANIEL HIGGS &amp;quot;Say God&amp;quot;:</title>
<description>&lt;img src="http://www.thrilljockey.com/assets/covers/104621.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
SAY GOD is a body of Gospel songs, interlaced, cross-pollinating, offered to the Listenership at this late date, by Daniel Higgs, as recorded in the Summer of 2009 by David Andrew Sitek. The songs are sung in praise, thanks, and wonder, sacrificed to the all-pervading Mystery, evidence of which abounds as realities-within-realities, in this, our world, as we find it. The songs attract and repulse, beckon and banish, twist and shout, recklessly spinning in the remote (nearby) wildernesses of the heart-mind. Listen and find.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.thrilljockey.com"&gt;www.thrilljockey.com&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4c4b31abbda5b</link>
<pubDate>Sat, 24 Jul 2010 20:29:00 GMT</pubDate>
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<title>RANGERS &amp;quot;Suburban Tours&amp;quot; LP:</title>
<description>&lt;img src="http://www.midheaven.com/products/s/112000/images/rangers_main.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
Another unfathomably great transmission from the mighty Olde English Spelling Bee - compressing a world of hazy 1980's pop edits and television broadcasts on one dense, oddly unsettling LP - so good. Rangers aka Joe Knight sits us in the passenger seat for another incredible cruise around the grey interzone of 1980's suburbia on this, his excellent debut LP release. 'Suburban Tours' was inspired by his move from the outskirts of his native Dallas, Texas, to a rainy San Francisco, where his loneliness grew into eleven tracks of pop-inspired, avant-smudged melancholia. The obvious comparison point is James Ferraro or Ariel Pink and their expressions of white American solitary poplife, but the tape editing processes and drained 80s funk of these tracks gives 'Suburban Tours' it's own autistic aura. Knight draws on the foggy memory of records by Steely Dan, Weather Report and Prefab Sprout, assembling a degraded sheen of 80s funk that's generally not found among many of his fellow Hypnagogic explorers. The uncomforting factor comes to light when his edits bunch into looped cul-de-sacs, like we're exploring the landscaped terrain of some gated community and the road/tape inexplicably folds into itself, we feel like we should be moving forward, wanting to get out of there, but we're were not getting anywhere. Perhaps this is his take on the stultifying nature of American middle-class suburban life? Or English, for that matter. Either way, the effect is oddly moving, blending the neon evening glow of an inner-city night drive with tones of a greyer, and more insipid suburban landscape. Limited copies - not to be missed.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.myspace.com/rangerzz"&gt;www.myspace.com/rangerzz&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
LP available from: &lt;a href="http://oesbee-shoppe.blogspot.com/"&gt;http://oesbee-shoppe.blogspot.com/&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4c4585e7d6d5c</link>
<pubDate>Tue, 20 Jul 2010 13:10:00 GMT</pubDate>
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<title>NADJA &amp;quot;Autopergamene&amp;quot;:</title>
<description>&lt;img src="http://www.essence-music.com/images/nadja_box_open_1.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
Autopergamene – a spell or charm wherein you write in blood, on a fragment of skin, what you wish to happen – finds NADJA at the peak of their sonic language of slow-blooming, heavily nuanced ambient guitar constructions and slow motion, lush, epic heaviness.&lt;br /&gt;
&lt;br /&gt;
Divided in three colossal movements, the album starts with the blissful, paced and almost orchestral – much aided by three guest members on strings and Aidan’s trombone, flute and piano – “You Write Your Name in My Skin”, travels through the straight up, super distorted and fuzzed out rumbling sludge riffages of “You Write Your Name in My Head” and its semi-growling processed vocals to finally unfold the nearly half-hour long “You Write My Name in Your Blood” that gracefully starts with delicate, lush acoustic guitars glacially giving birth to an enormous, shimmering and heavily layered symphonic wall to then submerge and bring in a hazy, sparkling and almost passionate, yet twisted, duetto of Aidan-Leah’s male-female voices. Breathtaking.&lt;br /&gt;
&lt;br /&gt;
Lavishly assembled in a custom 6-panel digisleeve packaging housing a 6 cards set with beautiful watercolor paintings and artwork by the gifted Portuguese artist L Filipe dos Santos. Superb mastering via James Plotkin.&lt;br /&gt;
&lt;br /&gt;
Boxset edition, limited to 149 hand-numbered copies sold out.&lt;br /&gt;
&lt;br /&gt;
Samples:&lt;br /&gt;
&lt;a href="http://www.essence-music.com/sounds/nadja-skin.mp3"&gt;http://www.essence-music.com/sounds/nadja-skin.mp3&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.essence-music.com/sounds/nadja-head.mp3"&gt;http://www.essence-music.com/sounds/nadja-head.mp3&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.essence-music.com/sounds/nadja-blood.mp3"&gt;http://www.essence-music.com/sounds/nadja-blood.mp3&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Label: &lt;a href="http://www.essence-music.com"&gt;www.essence-music.com&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4c191ca4ec41e</link>
<pubDate>Wed, 16 Jun 2010 20:46:00 GMT</pubDate>
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<title>Ecstatic Music of the Jemaa El Fna LP:</title>
<description>&lt;img src="http://www.sublimefrequencies.com/images/SF056.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
For centuries, the Jemaa El Fna (Rendezvous of the Dead) has remained the stage for one of the most spectacular social forums on the planet. By day, this central square in the city of Marrakesh, one of Morocco's great imperial cities, fosters a kaleidoscope of entertainment for its local inhabitants; storytellers, acrobats, magicians and snake charmers all create intriguing displays of bewitching spectacle. As the sun sets, the evening grows frantic with the pulse of the crowd; it is then that the night musicians set up. Free from the restrictions and expectations of light entertainment for a tourist crowd, these musicians manifest ecstatic performances that animate the audience and players alike. The groups represented on this album; Troupe Majidi, Amal Saha, and Mustapha Mahjoub, are working and carrying the torch of their musical heroes nightly in the square. These songs come from the repertoire of Morocco's greatest musical exports: Nass El Ghiwane, Lemchaheb, Jil Jilala, Larssad and many others from the Chaabi (Moroccan popular music) canon and are given a raw, emotional and fiery interpretation. Instruments are powered by car batteries and blown out through megaphone speakers. These recordings represent a rare opportunity to hear this music at such close proximity taking in all the power and passion of the performances. The raw fidelity captures an unflinching immersion of what is simply some of the greatest street music on earth. &lt;br /&gt;
&lt;br /&gt;
Recorded by Hisham Mayet in 2005, a few of these performances were featured in his film Musical Brotherhoods from the Trans-Saharan Highway (Sublime Frequencies DVD SF041). &lt;br /&gt;
&lt;br /&gt;
This collection also contains tracks not present in the film for a more potent snapshot of the ecstatic Jemaa El Fna. Limited edition LP comes in a beautiful full color gatefold Jacket with photos of the musicians and liner notes by Hisham Mayet.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.sublimefrequencies.com"&gt;www.sublimefrequencies.com&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4bf8f30859e8b</link>
<pubDate>Sun, 23 May 2010 11:18:00 GMT</pubDate>
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<title>GRAILS &amp;quot;Black Tar Prophecies IV&amp;quot;:</title>
<description>&lt;img src="http://importantrecords.com/images/content/imprec302_grails4.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
With Black Tar Prophecies IV, Grails re-awaken the series that initially began the run of records that mapped their rise to the forefront of modern instrumental music. While recording their full-length records with an eye towards cohesion and epic production, the Black Tar series affords Grails a backdoor to a black lodge where they can explore total head music. With a more lawless atmosphere and an overtly dark aesthetic, Black Tar's relentless re-mixing and sonic juxtapositions return the listening experience to a more innocent position, where expectations can be exploded and insidious sentiments come dressed in gently poisonous forms. In this volume Grails combine backmasked Satanic tape collage with old Emmanuelle soundtracks, pushing them further in the direction of a classical Italian melodrama soundtracked by Nurse with Wound.&lt;br /&gt;
The Black Tar material is conceived slowly, in between tours and full-length albums, giving Black Tar its own experimental space and keeping its final sum unknown even to its practitioners. As before, the series' format will consist of 2 vinyl EPs and an eventual CD version featuring both EPs and any extra tracks completed in the meantime.&lt;br /&gt;
Like the slab of black slate in the opening of Kubrick's 2001, Black Tar is an attempt to bring the ritual act of music back to it's original mysterious genesis, where the listener and artist both stare into a nebula's electric cloud before it takes it's inevitable shape as a planet. &lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.importantrecords.com"&gt;www.importantrecords.com&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4bf28bdaaa0c1</link>
<pubDate>Tue, 18 May 2010 14:43:00 GMT</pubDate>
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<title>OMAR SOULEYMAN &amp;quot;Jazeera Nights&amp;quot;:</title>
<description>&lt;img src="http://www.sublimefrequencies.com/images/SF055.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
This retrospective features live recordings spanning 15 years of Omar's tireless repertoire, and is rife with frenzied Syrian Dabke (a regional folkloric dance and party music), Iraqi Choubi and a host of Arabic, Kurdish and Turkish styles, among others - an amalgamation that exemplifies the musical essence of Northeastern Syria. Culled from cassettes recorded between 1995 and 2009, this collection offers a further rare glimpse into Syrian street-level Dabke folk-pop – a phenomena seldom heard in the West, not previously deemed serious enough for export by the Syrians and rarely, if ever, included on the import agenda of worldwide academic musical committees. Over the years, Souleyman's popularity has risen steadily and the group tirelessly performs concerts throughout Syria and has accepted invitations to perform abroad in Saudi Arabia, the United Arab Emirates and Lebanon. In 2006, Sublime Frequencies partnered with Omar to release &amp;quot;Highway to Hassake&amp;quot;, the first compilation of his works to be issued in the West. The success of this release and the video for the song &amp;quot;Leh Jani&amp;quot; helped see Souleyman and his group invited for their first Western tour in 2009 alongside label-mates Group Doueh from the Western Sahara. This successful tour quickly elevated Souleyman to the status of an international legend – and deservedly so. &lt;br /&gt;
&lt;br /&gt;
This release coincides with the beginning of Omar’s 2010 international tour in May which will take him to the UK, the European mainland, and hopefully the US and Canada. CD features a full color 8-page booklet with great photos, a general overview of the lyrics translated into English and liner notes by compiler Mark Gergis. &lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.sublimefrequencies.com"&gt;www.sublimefrequencies.com&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.myspace.com/omarsouleyman"&gt;www.myspace.com/omarsouleyman&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4be9847612e12</link>
<pubDate>Tue, 11 May 2010 18:21:00 GMT</pubDate>
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<title>EMERALDS &amp;quot;Does It Look Like I'm Here?&amp;quot;:</title>
<description>&lt;img src="http://i180.photobucket.com/albums/x317/jcm3636/emeralds.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
‘Does It Look Like I’m Here?’ is the third official album by Emeralds (after &amp;quot;Solar Bridge&amp;quot; on Hanson, and the self-titled LP on their own Wagon and Gneiss Things imprints, as well as countless small edition tapes and CDRs on a host of labels) and once again it presents another radical new direction for this Cleveland trio.&lt;br /&gt;
It sees the group moving from playing single oscillator analog synthesizers to really complex analog and analog/digital hybrid as well a great deal of guitar synthesizers, not to mention fine tuning their skills as brilliant tunesmiths. Simply put, the results are outstanding.&lt;br /&gt;
Comprising of a number of tracks from their recent  ultra limited 7” vinyl series on Wagon, as well new compositions exclusive to this release. This fine selection of tunes surpass anything they have achieved in their 5 year career. Perfect melodies intertwined with ripping sequences and a guitar sound that floats perfectly throughout. Although most tracks cover new ground in that they follow a shortened ‘pop format’, more long form cuts such as the towering ‘Genetic’ and the title track will give fans of their earlier work something to grab onto, or totally let themselves go depending on the state of mind.&lt;br /&gt;
Having spent all their lives in the relative isolation of Cleveland means their music has developed into a vital, stunning unique hybrid that may have not been able to blossom in more active urban centres.&lt;br /&gt;
‘Does It Look Like I’m Here?’ heralds a turning point for all those involved and is perfect vivid soundtrack to emerge out of the recent harsh grey winter. Fresh, shiny and totally essential.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.editionsmego.com"&gt;www.editionsmego.com&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4be2cf73cedb2</link>
<pubDate>Thu, 06 May 2010 16:10:00 GMT</pubDate>
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<title>GROWING &amp;quot;Pumps!&amp;quot;</title>
<description>Nice one:&lt;br /&gt;
&lt;br /&gt;
&lt;img src="http://cdn.pitchfork.com/media/pumps452growing.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
The new decade is off to a great start for us as we are pleased to announce the signing of Brooklyn-based trio Growing, whose upcoming album PUMPS will be released on April 6th. The announcement of their new album is joined by a free download of the track &amp;quot;Hormone&amp;quot; available now. Growing's latest offering is another top-shelf freakout of glitch, fuzz and drone. Growing has given birth to a magical creation with PUMPS - it's the audio equivalent of coming out of an anesthetic haze with a squirming pile of joy wrapped safely in your eardrums. &lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.myspace.com/growingsoundnyc"&gt;http://www.myspace.com/growingsoundnyc&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4bb608421fe71</link>
<pubDate>Fri, 02 Apr 2010 17:06:00 GMT</pubDate>
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<title>SYLVESTER ANFANG II &amp;quot;Commune Cassetten&amp;quot; LP:</title>
<description>&lt;img src="http://i41.tinypic.com/o7uj4g.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;A new slab of wax of tranced out psychotic psychedelic-ness from the occult loving Belgium based clan. This new incarnation being SYLVESTER ANFANG II (as opposed to Silvester Anfang) reached a new level of sheer awesomeness last year with the incredible double LP on Aurora Borealis, on Commume Cassetten they continue their bizarre trip into the darker - but somehow super psychedelic - realm of the occult obsessed mind. There's a real fucked up krautrock boogie vibe throughout but retaining some of the doomed funeral folk qualities of the original Anfang guise, as well as some loose as hell, total stoned out ritualistic baked grooves. The LP comes housed in a techni-colour collaged artwork with a black and white image of a lady, which we can presume is a witch, with a dagger and chalice... a sleeve that really sums up the music enclosed. The sleeves are pro-printed and wrap around the deep black wax which has some sweet full colour labels. This is one hell of a 40 minute trip...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.blackest-rainbow.moonfruit.com"&gt;www.blackest-rainbow.moonfruit.com&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
European Tour:&lt;br /&gt;
03/04: Paris, France&lt;br /&gt;
04/04: Le BPM, Nantes, France&lt;br /&gt;
05/04: TBC Clermont-Ferrand, France&lt;br /&gt;
06/04: Ground Zerro, Lyon, France&lt;br /&gt;
07/04: Cave12, Geneve, Suisse&lt;br /&gt;
08/04: Nürnberg, Germany&lt;br /&gt;
09/04: TBC Jena, Germany of Vienna, Austria of Oelsnitz, Germany&lt;br /&gt;
10/04: Chapeau Rouge - Prague, Czech Republic&lt;br /&gt;
11/04: Leipzig, Germany&lt;br /&gt;
12/04: Madame Claude, Berlin, Germany (with Sheldon Siegel)&lt;br /&gt;
13/04: RTB, Göteborg, Sweden&lt;br /&gt;
14/04: TBC Malmö, Sweden&lt;br /&gt;
15/04: Kristiania, Copenhagen, Denmark&lt;br /&gt;
16/04: TAC, Eindhoven, Nederland&lt;br /&gt;
17/04: Moritz, Stuttgart, Germany&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4baf38f347931</link>
<pubDate>Sun, 28 Mar 2010 13:05:00 GMT</pubDate>
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<title>Kyle Bobby Dunn &amp;quot;A Young Person's Guide To&amp;quot;:</title>
<description>&lt;img src="http://static.boomkat.com/images/288477/112.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
Spread across two cds with a total running time of nearly two hours, ‘A Young Person’s Guide To…’ is a stunning collection of recordings from New York based minimalist composer and sound artist Kyle Bobby Dunn.&lt;br /&gt;
&lt;br /&gt;
Four tracks on the first disc originally appeared as the download only album ‘Fervency’, released by the Moodgadget label in 2009. Impressed by Dunn’s sensitive and world-wise compositions, it was felt that the music deserved to be released on a physical format and expanded upon with a second disc containing an additional 60 minutes of music gathered from the same period as the ‘Fervency’ recordings.&lt;br /&gt;
&lt;br /&gt;
Utilising an instrumental palette of guitar, strings and brass, often played by classically trained musicians drafted in on the spur of the moment, the sounds of these sessions were recorded as Dunn dictated and then reworked via computer processing into spine-tingling soundscapes.&lt;br /&gt;
&lt;br /&gt;
Dunn's compositions here are fully rich in timbre, painterly, hopelessly romantic and haunting; balanced between a wash of pure sound and an ornate yet subtle dance of classical instrumentation. Occupying a truly cinematic scope, these pieces can transport the listener from the deepest and most forgotten landscapes to the furthest recesses of time.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.low-point.com"&gt;www.low-point.com&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.myspace.com/kbdunn"&gt;www.myspace.com/kbdunn&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4b8a3b0fb15a9</link>
<pubDate>Sun, 28 Feb 2010 10:41:00 GMT</pubDate>
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<title>EHNAHRE &amp;quot;Alpha/Omega&amp;quot; Limited LP:</title>
<description>&lt;img src="http://c3.ac-images.myspacecdn.com/images02/123/l_d38ac77798ae4969b1d76ffa56471a52.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
Boston based Avant Black/Death/Doom metal band Ehnahre follow up their debut record “The Man Closing Up” with a new 12&amp;quot; record, entitled “Alpha/Omega.” &lt;br /&gt;
&lt;br /&gt;
With 2009 seeing the addition of drummer/noise artist/wacko Ricardo Donoso, Ehnahre plumbed even further into the depths of rhythmic flux and sway which characterized their debut release.  This record sees Ehnahre starting to stretch out, and progress beyond their beginnings- more extremes, more chaos, more discordant guitar lines, and vocals akin to the outburst of a bloodthirsty, drunken schizophrenic.    “Alpha/Omega”  was written based on the poems “Leda and the Swan” and “The Second Coming” by Irish writer William Butler Yeats.  Utilizing mythological, mystical, and religious themes, the text alludes to the beginning of the world, and Armageddon.  Taking their ugly, atonal and oppressive sound to new lows of stifling darkness and malevolence, the uncompromising dissonance and instability on this record will salt the earth with Ehnahre’s aural depravity.&lt;br /&gt;
&lt;br /&gt;
Ehnahre is releasing “Alpha/Omega” on Fun with Asbestos Records, in a limited run (100 copies).  It will be released exclusively on 12” vinyl, pressed at 45 rpm with hand printed jackets.  Mastered by James Plotkin, to be released March 1st, 2010.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.ehnahre.net"&gt;www.ehnahre.net&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.myspace.com/ehnahremetal"&gt;www.myspace.com/ehnahremetal&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.myspace.com/funwithasbestos"&gt;www.myspace.com/funwithasbestos&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4b744f88cbde6</link>
<pubDate>Thu, 11 Feb 2010 19:40:00 GMT</pubDate>
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<title>AIDAN BAKER &amp;quot;Liminoid/Lifeforms&amp;quot;:</title>
<description>&lt;img src="http://www.cargorecords.co.uk/assets/itemZoom/3/00010993_20100126143859.JPG" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
Liminoid is a composition for large ensemble exploring sonic immersion in drones and textures, rhythms and pulsations. Incorporating composed and improvised segments, the piece uses elongation of sound and layered polyphony in an attempt to create a liminal and/or numinous state. This recording of Liminoid is from its premier at The Music Gallery’s X-Avant Festival in Toronto, October 25, 2008. The piece features a powerful vocal performance with every member sharing the vocal duties. The lyrics have been adapted from 5th-8th century Coptic Christian texts and inspired by the book Ancient Christian Magic by by Marvin W. Meyer &amp;amp; Richard Smith.&lt;br /&gt;
&lt;br /&gt;
The ensemble members for this performance were: Aidan Baker (guitar/voice), Clara Engel (guitar/voice), Nick Storring (cello/voice), Jakob Thiesen (drums/voice), Richard Baker (drums/voice), Tillman Lewis (cello/voice), Laura Bates (violin/voice) and Jonathan Demers (guitar/voice).&lt;br /&gt;
&lt;br /&gt;
Lifeforms is a composition for strings, prepared/effected guitar, and amplified metal works. Likewise incorporating written and improvised material, the piece was originally commissioned and performed by The Penderecki Quartet in 2003. This recording was made in August 2008 at Commonwealth Studios in Toronto. The performers were: Aidan Baker (guitar), Nick Storring (cello), Mika Posen (violin) and Alan Bloor (metal works).&lt;br /&gt;
&lt;br /&gt;
This recording has been both skillfully mixed from multiple recordings and mastered by James Plotkin.&lt;br /&gt;
&lt;br /&gt;
Sample: &lt;a href="http://www.alien8recordings.com/tracks/788/download"&gt;http://www.alien8recordings.com/tracks/788/download&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.alien8recordings.com"&gt;www.alien8recordings.com&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4b72b7468646e</link>
<pubDate>Wed, 10 Feb 2010 14:36:00 GMT</pubDate>
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<title>Skullflower/White Medal - Split 7&amp;quot;:</title>
<description>&lt;img src="http://www.mutant-ape.co.uk/acatalog/SWM.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
After several delays, Turgid Animal and Legion Blotan Records are proud to announce this new split release from Matthew Bower's long running and evil Skullflower coupled with demented Yorkshire Black Metal one man band, White Medal. These days, both bands straddle the middle ground between experimental music and all out Black Metal assault, but in very different ways. Excellent artwork by Utarm's Sindre Foss Skancke adorns the front of the pro-printed and glued covers. Limited to 400 copies on black vinyl.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.turgid-animal.co.uk"&gt;www.turgid-animal.co.uk&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4b6db58912525</link>
<pubDate>Sat, 06 Feb 2010 19:30:00 GMT</pubDate>
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<title>SKULLFLOWER &amp;quot;Strange Keys To Untune God's Firmament&amp;quot;:</title>
<description>&lt;img src="http://www.normanrecords.com/images/covers/d-thumbs/112749_thumb.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
“Strange Keys to Untune God's Firmament evokes Wagnerian sonic bombast, a Nietzchean worldview, and a warlike cry of rebellion against the false, encased in a whirlwind both psychotropic and psychoacoustic. Each listen brings new themes to the forefront. Not easy listening by anyone's standards, this is not for the faint of heart, but for those willing to submit and immerse themselves in the deep thick waters of self transformation.” - Steve Von Till, Neurosis / Neurot &lt;br /&gt;
&lt;br /&gt;
Twelve tracks on Two discs, 109 minutes. All must bow before the pagan wall of drone. The first release from Skullflower after a 13 year hiatus.  Limited to 300 copies for Europe. &lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://www.southern.net/eu-shop/"&gt;https://www.southern.net/eu-shop/&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4b59d5370e4d2</link>
<pubDate>Fri, 22 Jan 2010 17:38:00 GMT</pubDate>
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<title>URAL UMBO  &amp;quot;s/t&amp;quot; CD &amp;amp; &amp;quot;Latent Defekts&amp;quot; EP:</title>
<description>&lt;img src="http://www.utechrecords.com/Misc/Ural.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
Ural Umbo is Reto Mäder (Sum of R, RM74) and Steven Hess (On, Haptic) electrifying internal music through a broad spectrum of instrumentation. Horns, piano, organ, harmonium, bass guitar, strings, electronics, drums and percussion guide the formation of black, subliminal melodies and slow feedback accompaniments. Each piece consumes the organic and dynamically balanced process that created it. With a nod to 1960s horror movie scoring Mäder and Hess displace sound from the veil of the supernatural and coax it back to our world. Presented in a heavy black/white sleeve with white translucent paper overlay. Photograph by Rik Garrett.&lt;br /&gt;
&lt;br /&gt;
Samples: &lt;br /&gt;
&lt;a href="http://www.utechrecords.com/MP3/040_2.mp3"&gt;http://www.utechrecords.com/MP3/040_2.mp3&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.utechrecords.com/MP3/040_6.mp3"&gt;http://www.utechrecords.com/MP3/040_6.mp3&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Latent Defekts&amp;quot; is the companion EP to the s/t debut release. Utilizing source material from the original recordings, Latent Defects is an meeting of bleak atmospherics and wintry incantation.&lt;br /&gt;
&lt;br /&gt;
Samples:&lt;br /&gt;
&lt;a href="http://www.utechrecords.com/MP3/043_2.mp3"&gt;http://www.utechrecords.com/MP3/043_2.mp3&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.utechrecords.com/MP3/043_6.mp3"&gt;http://www.utechrecords.com/MP3/043_6.mp3&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Both are available on January 23, 2010.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.utechrecords.com"&gt;www.utechrecords.com&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4b4489c64fc21</link>
<pubDate>Wed, 06 Jan 2010 13:55:00 GMT</pubDate>
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<title>Astral Social Club / Glockenspiel Split EP:</title>
<description>&lt;img src="http://photos-f.ak.fbcdn.net/hphotos-ak-snc3/hs069.snc3/13651_240523546728_509456728_4201666_566761_n.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
Wheezing skyward born machine groans and gasped tremolo root to a kinetic pulse, while distant melody zones ascend to circulate around the bass flex on this face chewer by Neil Campbell. On the flip is the first vinyl cut by Glockenspiel, flocculent tones weave with tom rub and bowed metal harmonics, drifting on the back of a drum dub to the heart of a snow-blind haze of feedback, amplified string scrape and analogue electronics. Spin at 45. Art by Noah Campbell. &lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.krayonrecordings.net"&gt;www.krayonrecordings.net&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4b4487b67233e</link>
<pubDate>Wed, 06 Jan 2010 13:52:00 GMT</pubDate>
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<item>
<title>JACK ROSE R.I.P.</title>
<description>&lt;img src="http://www.thefader.com/ys_assets/0004/2537/freak21c.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Jack Rose 1971 - 2009.&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4b1fd527af7ee</link>
<pubDate>Wed, 09 Dec 2009 17:47:00 GMT</pubDate>
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<title>TOPAZ RAGS &amp;quot;Capricorn Born Again&amp;quot;:</title>
<description>&lt;img src="http://www.notnotfun.com/pics/NNF179A.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
Grey clouds stay grey. Low light situations birth low-lit moods. It's all bummer clockwork. West Coast lurk-jazz triad Topaz Rags return to vinyl with their debut long player, Capricorn Born Again, an eight-song comedown recorded/mixed from spring-to-fall of '09 via a complex 4-track/boombox assemblage method. Everything creaks and hisses, there's smoke in the air, players at the end of their ropes, lyrics washing over faded raga ballads, slinky electric piano bar depressions, shadow gauze cavern pop. The bell jar is half empty, obviously. Slow dive and sink in. Black vinyl LPs (mastered by Pete Swanson) in jackets designed by Amanda. &lt;br /&gt;
&lt;br /&gt;
Edition of 400.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.notnotfun.com"&gt;www.notnotfun.com&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4b05764a7d9d7</link>
<pubDate>Thu, 19 Nov 2009 17:44:00 GMT</pubDate>
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<item>
<title>CIRCLE &amp;quot;Soundcheck (live)&amp;quot; LP:</title>
<description>&lt;img src="http://circlefinland.com/gfx/kansikuvat/soundcheck.jpg" alt="[image]" style="margin: 5px 0px 5px 0px" /&gt;&lt;br /&gt;
&lt;br /&gt;
J. Jääskeläinen – guitar&lt;br /&gt;
P. Jääskeläinen – guitar&lt;br /&gt;
J. Lehtisalo – bass, vocals &lt;br /&gt;
M. Rättö – keyboards, vocals &lt;br /&gt;
T. Leppänen – drums&lt;br /&gt;
J. Westerlund – guitar&lt;br /&gt;
T. Laurila – effects&lt;br /&gt;
&lt;br /&gt;
Live / soundcheck performance at Space Force 1 -festival, Torvi 31st October 2009 Lahti, Finland.&lt;br /&gt;
&lt;br /&gt;
Samples:&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://circlefinland.com/index.php?page=sample&amp;amp;sample=samples/soundcheck_tuhatsata.mp3"&gt;http://circlefinland.com/index.php?page=sample&amp;amp;sample=samples/soundcheck_tuhatsata.mp3&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://circlefinland.com/index.php?page=sample&amp;amp;sample=samples/soundcheck_virsi.mp3"&gt;http://circlefinland.com/index.php?page=sample&amp;amp;sample=samples/soundcheck_virsi.mp3&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://circlefinland.com/index.php?page=sample&amp;amp;sample=samples/soundcheck_nopeuskuningas.mp3"&gt;http://circlefinland.com/index.php?page=sample&amp;amp;sample=samples/soundcheck_nopeuskuningas.mp3&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.ektrorecords.com"&gt;www.ektrorecords.com&lt;/a&gt;&lt;br /&gt;
</description>
<link>http://creative-eclipse.com/blog/weblog.php?id=4b0106bc2a1b5</link>
<pubDate>Mon, 16 Nov 2009 08:57:00 GMT</pubDate>
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